しあわせ

I came across this film today on Japan Probe. It reminds me a bit of “The Queen’s Classroom” except this is a real look inside a classroom in Japan’s primary school system.
The original 涙と笑いのハッピークラス―4年1組命の授業 was made by NHK in 2003. It follows a year in Mr. Kanamori’s 4th grade class. It is very different from the western classes I know of. Not least because of the teacher’s relationship to the children, the discussion of matters such as death, the group solidarity, and the willingness of children to write.
The video on YouTube, Children Full of Life, is CBC’s version that is subtitled and has an English commentary. It’s well worth watching before it inevitably gets taken down.

(But for the gold standard in fly-on-the-classroom-wall documentaries search out Etre et Avoir)

As part of the Terracotta Film Festival at the Prince Charles cinema over the bank holiday weekend, there are three Japanese films being screened.

After School Saturday 23 May 16:15
High Kick Girl Sunday 24 May 18:40
Ghost in the Shell 2.0 Friday 22 May 20:45

Details at the festival site. There are also films from Korea, Hong Kong, Taiwan, Thailand, and Malaysia if you are a fan of Asian cinema.

Thanks to Paul at London Japanese Language Meetup for the heads-up!

BBC Four has a season of Japan related programs at the moment called Hidden Japan. Also on their web site there is an amusing series of Japanese word of the day to watch. If you miss any you can catchup using iPlayer. Unfortunately online versions via the BBC are most likely restricted to the UK (or those with the knowhow to have their IP appear in the UK) so I’ve changed the embedded video to a YouTube video that should work for everyone.

For several months I’ve been following Okinawa Soba’s fascinating photostream at Flickr. He has an enormous collection of Meiji period photographs mainly by a photographer called T. Enami which he is generously sharing via his flickr account. His comments make for interesting reading as well. He is what might be called cantankerous and I’m sure would be an interesting companion over a drink or two in a izakaya.

(original photo from Okinawa Soba used under creative commons licence)

I was recently sent a press release by Nakamura Aya-san the creator / performer of the interesting puppet performance Urashima Taro. It’s nice to see that the people I write about read my little blog, if a little daunting at times though.
The show has now finished development and is showing at various venues in London.
I saw the show for the first time last May and it should be interesting to see how it has developed.
I can heartily recommend Shunt as a venue and night out, so combine it with seeing this play.
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As part of the Bite09 season at the Barbican in London there are two plays that will be performed in Japanese (with English surtitles). Both by Internationally renowned companies.

The first is Shun-kun 春琴 by Complicite.
The lead in Japan was Japanese actress Eri Fukatsu. I presume she reprises the role here.

The other is an adaptation of Shakespeare’s Twelfth Night by NinaGawa, Sochiku Grand Kabuki.
I have seen a previous adaptation of Coriolanus by this company and they are impressive stagings. The Japanese feels very fast, possibly because they are trying to fit in a longer text. I found the women easier to understand but I was able to follow the speeches I had learnt at school (in English). The ending was suitably manga-esgue with Coriolanus spraying red arterial blood all over the white costumes in the best tradition of a samurai duel.
This play is Twelfth Night done in the manner of Kabuki. My wife tells me the actor is a very famous Kabuki actor. Judging by the photographs the play gets the full Kabuki treatment. Niwagawa company is very famous and at the time of writing this there aren’t many seats left.

Tickets for these plays are from £10 to £40.